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- Gordon R. Dickson
Necromancer Page 6
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Death, it whispered, is a factor also.
The stick was still poised in his hand. Paul opened his hand about it and a small object fell onto the carpet. He bent and picked it up. It was the capsule he had offered the dead man, flattened and bent now from being between his palm and the walking stick. He put it in his pocket. Swiftly he turned and went out of the suite.
He closed the door behind him and was halfway to the same elevator tubes which Tyne and Blunt had taken, when his mind started working sensibly again. He stopped dead.
Why should he run, he asked himself? He had only acted in self-defense on being attacked by what amounted to an insane man waving a gun. Paul went back into 2309 and used the phone there to call the hotel's security office.
The office answered without lighting up the vision tank. A voice spoke to him from out of blank grayness.
"Who is calling, please?"
"Suite 2309. But I'm not a guest of the hotel. I want to report———"
"One minute, please."
There was a moment of silence. The tank still did not light up. Then suddenly it cleared and Paul found himself looking into the neat, expressionless features of James Butler.
"Mr. Formain," said Butler. "I was informed twenty-eight minutes ago that you had entered the hotel by the plaza entrance."
"I was bringing something———"
"So we assumed," said Butler. "As a matter of routine, our hall monitor cameras are lighted to follow nonguests under conditions when we haven't been notified of their visit in advance. Is the occupant of suite 2309 with you now, Mr. Formain?"
"Yes," said Paul. "But I'm afraid there's been an accident here."
"Accident?" Butler's voice and expression stayed invariable.
"The man I met here threatened me with a gun." Paul hesitated. "He's dead."
"Dead?" asked Butler. For a second he merely looked at Paul."You must be mistaken about the gun, Mr. Formain. We have a complete file and check on the occupant of 2309. He did not own a gun."
"No. He told me he stole it."
"I don't mean to argue with you, Mr. Formain. But I must inform you that in accordance with police regulations this conversation is being irreversibly recorded."
"Recorded!" Paul stared into the tank.
"Yes, Mr. Formain. You see, we happen to know that it would have been impossible for the resident in 2309 to steal any kind of weapon. He has been under constant surveillance by our staff."
"Well, your staff slipped up!"
"I'm afraid that's impossible, too. The only way a gun could have entered the suite where you are now would have been if you had carried it in yourself."
"Just a minute." Paul leaned down toward the tank. "Mr. Kirk Tyne, the World Complex Engineer, was here just before I came."
"Mr. Tyne," said Butler, "left the North Tower lobby at 14:09 by up tube on the elevators and arrived at the chess tournament on the Sixtieth level at 14:10. Our hall monitors show no one entering 2309 in the past six hours but you. Accordingly..."
The barest flicker of Butler's eyes to the side woke Paul suddenly to the nearness of the trap into which he was sliding. The hotel security agent was no mean hypnotist himself. The dead monotony of his voice, the expressionless face that classed all things with the dull unimportance of a lost hotel key or misdirected luggage, would have been lethal against anyone who lacked Paul's inherent immunity.
Without waiting even to shut off the phone Paul moved, letting his reflexes take over. He was at the door and through it into the hall before Butler had time to stop talking. The hall outside was empty.
Moving swiftly, Paul turned from the elevators and raced down the hall to a heavy fire door. He pulled it open and passed through into the concrete shaft of a stairway. He found himself on a small landing with steps leading up from one end and down from another. The edge of another fire door recessed in its slot in the wall stood level with the first step of the down flight of steps.
Paul ran down the stairs. He was quiet about it, but the stair shaft itself was as silent as something that had been sealed for eternity. He made four floors without a hint of danger. Then, when he reached the landing of the fifth level below where he had started, he saw the staircase fire door closed, barring further progress.
He turned to the door leading out into the hallway of that level and went through it, onto soft carpeting.
"Mr. Formain?" asked a polite voice in his ear. "If you'll just come..."
A security agent, a young man by his voice, had been standing back by the side of the door where the latch was, his back to the wall alongside and waiting for Paul to come out. As Paul stepped through, the agent spoke and stepped forward to take hold of him. Paul felt the left hand of the other man expertly seeking the twin nerves just above his elbow and the man's right reaching out to catch his thumb and bend it back wrist-ward in that unobtrusive hold long familiar to police people, known as the "comealong."
The searching hands of the security man failed of their mark, for no fault of the man himself, but for two reasons he could not have expected. The first was that his pinching left hand missed its mark completely, the seeking thumb and middle finger not finding the nerve-points they sought since they were hidden under the greatly overdeveloped muscles of Paul's arm, just above the elbow. The second was that Paul was no longer thinking his reactions out in conscious terms, but in this emergency abandoning himself to that invulnerable part of him that had earlier claimed his overdeveloped arm as its own. So, what actually happened was that even as the security man reached out to take him prisoner, even as he felt the man's hands upon him, Paul was already in movement.
At the other's touch, all in a split second, he checked, balanced, moved a fraction of an inch to the right, and drove the point of his elbow backward with all the natural strength of his arm.
It was a move executed with a hesitationless smoothness and accuracy that would have made it lethal against a trained fighter. It was aimed to be lethal. The elbow-point was fired with impossible accuracy into the unprotected area just below the man's breastbone, and driving upward.
It would have torn lungs, crushed arteries, and possibly burst the heart. The only reason it did not do so, and did not kill, was that at the last split second Paul realized what was about to happen and managed to slightly deflect the aim.
Still, it lifted the man and slammed him back against the hallway wall, from which he fell forward and lay on his side, eyes half showing under fallen lids, legs a little drawn up and twitching with little spasmodic movements. Even as it was, he had been severely damaged.
And so almost, it seemed, had Paul.
It was nearly as if the blow he bad just struck had recoiled on him with most of its original force. He doubled up as if he had been the target. A washback of emotion shuddered through his whole body, and he staggered blindly down the hall, dizzy, nauseated, half-blinded, and bent over. Still moving, however, he got himself under control. Somehow he sought for and found the control in him that was necessary, and it was like pushing a button. So swiftly that it almost seemed he had never felt it, the reaction vanished from him and he straightened up.
He found himself now at the end of the hall, by more tall, curtained windows. The elevator tubes were close and there was no place else to go. He remembered that in case of trouble he was to seek out Kantele on the sixtieth level, and he stepped onto a disk floating up the up tube.
It carried him up with it. Over his head the bottom of the immediately superior disk closed him off into a little tube-shaped enclosure of which the bottom was his own disk, with him filling the tube. For the moment he was safe. Looking out through the transparent wall of the tube, he saw the various levels dropping past him, but though he saw occasional figures in the halls and standing by the tubes, none of them seemed to pay any special attention to him.
If the hotel security men were waiting for him any-where, he thought, it would be at the roof-garden top of the hotel where the small-craft landing pad w
as. But that was thirty levels above the floor where he intended to get off.
He was at the fifty-eighth level now. He moved forward to the edge of the disk, and as the sixtieth level approached, he stepped off.
He stepped almost immediately into a hallway crowd of people coming and going, and standing around in small, talkative groups. He pushed his way through them and stepped into the first entrance to a banquet room he found. Within were tables at which chess matches were going on, here and there with a few watchers clustered around some special pair of players. Kantele was not in view. He left the room and went on.
In the third room he visited he found Kantele. She was with several other people who were watching an individual match across the room from the entrance, and not too far from the French windows which indicated an outside balcony or terrace beyond the banquet room. She was standing behind the chair of a man who, with a sudden quickening of his pulse, Paul recognized to be Blunt. Blunt sat leaning forward, absorbed in the condition of the board he was observing, and Kantele stood with one hand on his wide shoulder.
It occurred to Paul that he was going to have the chance of facing Blunt sooner than he had expected. He started toward the table where Blunt and Kantele watched, and abruptly stopped.
He no longer had the walking stick.
Paul stood still, and for a second the hum and movement of the room faded almost out of his consciousness. His hand was empty. But he could not remember either dropping the stick or laying it aside. All that occurred to him was that he must have let go of it in the reaction that followed his elbow-jabbing of the security man. Well, if that was the case, Blunt might have something to explain to the police—and then he might not. It might be that, as in the case of Tyne's visit to 2309, hotel security would, on finding the stick, politely cover up for him.
At any rate, Paul intended to face the Chantry Guild head now. Paul went forward again.
But he was already too late. Kantele, he found, had already looked up and seen him. Her face unnaturally expressionless, she shook her head at his advance and then gestured with a nod at the French windows. Paul hesitated for a second, then turned and obeyed.
He passed the tables and stepped through one of the French windows, closing it behind him. He found himself, as he had expected, on a long and fairly narrow terrace with a waist-high parapet of ornamental stone around it. Beyond the parapet he could see the rooftops of lower surrounding buildings, and beyond them the farther levels of Chicago Complex. The afternoon had turned out to be almost cloudless, and the bright sun lanced warmly across the white, round tables and translucent, single-legged chairs on the terrace. He walked to the parapet and looked over.
Below him the side of the Koh-i-Nor's North Tower fell sheer in an unbroken pattern of alternate window glass and marbled tile to the top level of commuter traffic, sixty stories below. Postage-stamp-size directly underneath him was the main concourse in front of the tower, and, a narrow two hundred yards away across it, some sort of office building with a single aircar on its landing pad, and the highly-polished surface of the building's construction tile reflecting the utter blue of the sky.
He turned back from the parapet. On the white table top nearly beside him was a brightly-illustrated throw-away magazine left by some earlier visitor to the terrace. The breeze across the terrace ruffled and tried to turn its pages. He glanced at the titles in colorful type on its cover. The lead one jumped at him.
WAS GANDHI'S WAY RIGHT? And under this, in slightly less bold print:
The Psychotics of Our Overcrowded Cities
The author of this later article, he noticed with interest, was the same Dr. Elizabeth Williams, psychiatrist, he had encountered only the week before.
He reached for the magazine to turn to the article.
"Formain," said a voice. He looked up and turned.
Facing him from about fifteen feet away, his hand on the half-open French door through which he must just have stepped out onto the terrace, was Butler. The small hotel security man stood with one hand thrust into the right pocket of his barrel-cut jacket His face was as polite as ever.
"You better come along quietly with me, Formain," he said.
Paul let go of the magazine. The fingers of his single hand flexed reflexively. He took a casual step in Butler's direction.
"Stop there," said Butler. He took his hand out of his pocket, revealing a small finger gun. Paul stopped.
"Don't be foolish," said Paul.
Butler looked at him with the closest approach to a flicker of emotion in his face that Paul had yet seen.
"I think that's my line," Butler said. "Don't be foolish, Formain. Come along quietly."
Paul looked across the short distance separating them. His first impulse, as it had been with the agent in the hallway, had been to go into action. He had checked that And now a part of him waited critically to see what the other part of him might do. He looked at Butler, trying to narrow down his mental field of vision. Trying to see the man as something individual, unique, limited by the forces that tied him into his environment, by the very elements that made him dangerous.
Anyone can be understood, Paul told himself. Anyone.
For a second, Butler's image seemed to swim in Paul's retina with the effort Paul was making, like a figure seen through the bottom of a drinking glass. Then the image cleared.
"I don't intend to be foolish," said Paul. He sat down on the edge of the table beside him. "I'm not going with you."
"Yes," said Butler. He held the finger gun steady.
"No," said Paul. "If you take me in, in tell the police that you were the source of supply for the drugs of the man in 2309. Ill tell them you used to be a drug addict yourself."
Butler gave a small, tired sigh.
"Come along, Formain," he said.
"No," said Paul. "To take me, you'll have to shoot me first. If you kill me, there's bound to be the kind of investigation you don't want. If you do less than kill me, I'll tell them what I just told you I'd say."
There was a moment's silence on the terrace. While it lasted, they could both hear the leaves of the magazine rustling in the breeze.
"I am not a drug addict," said Butler.
"No," said Paul. "But you were until some fanaticism, some particular blind faith gave you the strength to kick the habit. You're not afraid of the fact being found out so much as the fact that an investigation into the fact would cause you to be cut off from this source of strength. If I mention it, the police will have to investigate the matter. So, you're going to let me go."
Butler regarded him. The security man's expression was as unreadable as ever, but the finger gun jerked for a second as his hand trembled momentarily. He hid the hand back in the pocket of his jacket.
"Who told you?" he asked.
"You did," said Paul. "Being the sort of man you are, the rest had to follow."
Butler watched him for a second more, then turned toward the French door behind him.
"Someday I'll make you tell me who told you," he said, and went back into the banquet rooms where the chessmen were at war.
The French door had barely closed behind him when one of the other doors opened and Kantele stepped through, quickly closing the door behind her. She came quickly over to Paul, her fine-cut features pale and her lips a little compressed above the square blue shoulders of her tailored jacket and the tooled-leather strap of the heavy handbag cutting into one of them.
"How did you—no, don't tell me," she corrected herself as she met him. "There isn't time. There are a dozen more hotel men going through the banquet rooms. Here..."
She lifted her large handbag onto one of the tables and pressed it at certain points. It opened out like a slow-motion jack-in-the-box. It was a one-man parachute copter, of the emergency type used by aircraft and fire departments. She unbuckled the straps that would fit around his shoulders and helped him into it.
"As long as the air-traffic police don't spot you, you'll be all right," s
he said, tightening the straps upon him. "Head for the rooftop of that building opposite."
The sound of one of the French doors opening made them both turn. It flew open, smashing against one of the tables, and two men catapulted onto the terrace, drawing guns from their jackets.
Paul did not hesitate. With one sweep of his powerful arm he snatched up the table alongside and threw it, as if it had been a balsawood mock-up of itself, at the two charging men.
They dodged, but not quickly enough. They went down before it. And Paul, sweeping Kantele up in his grasp, took one long step to the top of the parapet, and another off into sixty levels of emptiness.
Chapter 9
They fell like a stone, while Paul's hand, restricted by the fact that his arm must keep its hold on Kantele, fumbled with the controls of the parachute copter. He located them finally and switched them on, and suddenly it was like a heavy brake being applied against the force of gravity as the spinning blades blurred into action to break their fall.
"I'm sorry," he said to Kantele. "But they'd seen you with me. I couldn't leave you behind to face the music."
She did not answer. Her head lay back and sideways against his shoulder and her eyes were closed. Her face was like the face of someone who has surrendered completely to some superior force.
Paul turned his attention to guiding the copter toward the building across the concourse from the hotel. He was only partially successful. The copter, powerful enough to handle a two-hundred-and-fifty-pound individual, was fighting a losing battle in trying to uphold the combined weights of a man and woman both wen above the average in size. They were drifting off and down at a long slant, the way the winged seed of a maple tree flutters to earth in fall winds.
"The rooftop, you said?" asked Paul. Her eyes remained closed. He joggled her a little. "Kantele!"